Feature Films

Feature Films

CHRONICLE OF ANNA MAGDALENA BACH
CHRONICLE OF ANNA MAGDALENA BACH
In one of their most sublime and acclaimed films, Straub-Huillet attempt to capture Bach’s ineffable artistry — based on recitations of Anna Magdalena’s intimate, yet fictionalized, letters to her husband, as well as performances in the very rooms and churches where Bach composed and conducted them.
EYES DO NOT WANT TO CLOSE AT ALL TIMES
EYES DO NOT WANT TO CLOSE AT ALL TIMES
A faithful adaptation of Pierre Corneille’s Othon, the classic tragedy that premiered at the court of Louis XIV at Fontainebleau in 1664 and today is more hallowed than actually performed, Eyes do not want to close… depicts the power vacuum that followed Emperor Nero’s death.
HISTORY LESSONS
HISTORY LESSONS
This complex interpretation of Brecht’s unfinished novel The Business Affairs of Mr. Julius Caesar explores history as it has been written by the victors, with their hero worship of tyrannical leaders (whether Caesar or Hitler), and offers an alternate view of history writing as fractured and potentially revolutionary.
MOSES AND AARON
MOSES AND AARON
One of Straub-Huillet's major films, this adaptation of Schoenberg’s unfinished opera is a thrilling and rigorous consideration of Biblical and archaeological history, particularly with respect to the collective memory of the Egyptian enslavement of the Hebrews and the Exodus.
COMMUNISTS
COMMUNISTS
Six scenes concerning resistance to “forms of domination and violence of man on man,” including Communist prisoners who face down their Fascist interrogators during World War II and Egyptian workers and peasants who revolt against their colonial exploiters in 1919.
NOCTURAMA
NOCTURAMA
A terrorism thriller like no other, recalling Robert Bresson’s The Devil, Probably as much as it does George A. Romero’s Dawn of the Dead, the acclaimed new film from Bertrand Bonello (Saint Laurent) is one of the 21st century’s most provocative and stirring cinematic experiences.
THE HUMAN SURGE
THE HUMAN SURGE
One of the year’s most bracingly original debuts, The Human Surge is a global journey that jumps from Argentina to the Philippines to Mozambique, a road movie that fuses fiction and documentary for a portrait of today’s youth at a time of economic uncertainty and illusory hyper-connection.
MIMOSAS
MIMOSAS
Winner of the Critics Week Grand Prize at the Cannes Film Festival, Oliver Laxe’s stunning new film, Mimosas, is a breathtakingly-shot Western that follows a mysterious caravan transporting a dying sheikh into the Moroccan Atlas Mountains.
LOST AND BEAUTIFUL
LOST AND BEAUTIFUL
Conceived as a documentary, director Pietro Marcello had to change course when his lead, a humble shepherd turned local hero, passed away during production. The resulting film is a beautiful and fantastical ode to his memory and their beloved country.
FROM WHAT IS BEFORE
FROM WHAT IS BEFORE
Lav Diaz' follow up to his acclaimed Norte, the End of History, is an extraordinary epic examining the conditions that led to the rise of the Marcos regime in 1970s Philippines.
FORT BUCHANAN
FORT BUCHANAN
A bracingly original debut, filmmaker Benjamin Crotty uses the tragicomic plight of a frail young man stranded at a military outpost amid a lascivious band of army wives to craft a queer soap opera for the ages.
THE ACADEMY OF MUSES
THE ACADEMY OF MUSES
A university professor espouses the role of muses in art and literature as a means of romancing his students in this breathtaking new film from the acclaimed director of In the City of Sylvia.
KAILI BLUES
KAILI BLUES
A stunning, dreamlike debut, a country doctor's search for an abandoned child takes him to a mysterious place where past, present and future become one.
CASA DE LAVA
CASA DE LAVA
In only his second feature, Portuguese filmmaker Pedro Costa (Horse Money) brilliantly reworked Jacques Tourneur's classic I Walked with a Zombie into a reflection on his country’s colonial legacy. Never before released in the U.S. and now beautifully restored.
RIGHT NOW WRONG THEN
RIGHT NOW WRONG THEN
A film director falls for a young painter - twice - in this acclaimed masterpiece from celebrated filmmaker Hong Sangsoo.
PARASITE
PARASITE
A film of brilliant, nocturnal beauty from renowned painter and artist Wilhem Sasnal, and his wife, Anka Sasnal.
FIREWORKS WEDNESDAY
FIREWORKS WEDNESDAY
A story of marital intrigue and betrayal set against the backdrop of the Persian New Year from the Academy Award winning director of A Separation.