FLICKERING LIGHTS
A film by Anirban Dutta, Anupama Srinivasan
2023, 90 minutes
2023, 90 minutes
No. 484
Documentary
Documentary
Description
In the hills of northeast India, far from the Indian mainland and mainstream consciousness, there is a village of the Naga community called Tora. Years of neglect coupled with a long history of insurgency have meant that basic civic amenities are conspicuous by their absence.
Seventy years after Indian independence, the people hear that electricity is finally on its way. They are wary as they have been let down too often in the past. Khamrang, the grand old man of the village, watches with a skeptical eye. His real dream is to see his people attain sovereignty. Jasmine, a pragmatic woman, sees an opportunity in the coming of electricity. Does electricity arrive in Tora? Does it bring the promised joy?
Seventy years after Indian independence, the people hear that electricity is finally on its way. They are wary as they have been let down too often in the past. Khamrang, the grand old man of the village, watches with a skeptical eye. His real dream is to see his people attain sovereignty. Jasmine, a pragmatic woman, sees an opportunity in the coming of electricity. Does electricity arrive in Tora? Does it bring the promised joy?
Festivals
Winner, Best Cinematography Award, IDFA International Competition
Winner, Mondes en Regards Prize, Festival International Jean Rouch
Winner, Best Documentary, Jaffna International Cinema Festival
Winner, Best Documentary, International Festival of Moving Image, Mexico
Official Selection, Busan International Film Festival
Official Selection, Yamagata International Documentary Film Festival
Official Selection, One World Film Festival, Czech Republic
Official Selection, Jean Rouch International Film Festival
Official Selection, Taiwan International Documentary Festival
Official Selection, Sydney Film Festival
Reviews
"This is a sweet, gentle film with some lovely moments, chiefly the community’s choir, which sings beautifully. With some subtlety, the film-makers allow the audience to absorb the political implications of electricity; it binds Nagaland to the Indian state more, and perhaps all this TV soften remaining separatist ambitions." — Peter Bradshaw, The Guardian









