FOURTEEN
A film by Dan Sallitt
2019, 94 minutes
2019, 94 minutes
No. 268
Narrative
Narrative
Description
Mara and Jo, in their twenties, have been close friends since middle school. Jo, the more outgoing figure, is a social worker who runs through a series of brief but intense relationships. Mara, a less splashy personality than Jo, bounces among teacher aide jobs while trying to land a position in elementary education, and writes fiction in her spare time. She too has a transient romantic life, though she seems to settle down after meeting Adam, a mild-mannered software developer.
It soon becomes apparent that Jo, despite her intellectual gifts, is unreliable in her professional life, losing and acquiring jobs at a troubling rate. Substance abuse may be responsible for Jo’s instability… but some observers suspect a deeper problem. Over the course of a decade, the more stable Mara sometimes tries to help, sometimes backs away to preserve herself, but never leaves behind her powerful childhood connection with Jo.
It soon becomes apparent that Jo, despite her intellectual gifts, is unreliable in her professional life, losing and acquiring jobs at a troubling rate. Substance abuse may be responsible for Jo’s instability… but some observers suspect a deeper problem. Over the course of a decade, the more stable Mara sometimes tries to help, sometimes backs away to preserve herself, but never leaves behind her powerful childhood connection with Jo.
Reviews
“A story of intimate friendship written and directed with a subtle touch by Dan Sallitt…. intellectual and loving… a bittersweet character drama.” — Teo Bugbee, The New York Times
“A vast vision of two friends and the fault lines between them. Brilliant... Transcends the conventional form of independent-film realism to realize a philosophical, personal cinema that seems created, fresh and whole, from start to finish.” — Richard Brody, The New Yorker
"With the Oscars expanding its horizons this year, it’ll be interesting to see if anyone gives worthier performances than Tallie Medel as a frustrated teacher’s aid, and Norma Kuhling as her magnetic but unstable childhood friend." — David Ehrlich, Indiewire
“A vast vision of two friends and the fault lines between them. Brilliant... Transcends the conventional form of independent-film realism to realize a philosophical, personal cinema that seems created, fresh and whole, from start to finish.” — Richard Brody, The New Yorker
"With the Oscars expanding its horizons this year, it’ll be interesting to see if anyone gives worthier performances than Tallie Medel as a frustrated teacher’s aid, and Norma Kuhling as her magnetic but unstable childhood friend." — David Ehrlich, Indiewire