Spring 2019

Whether grabbing a sheet of paper from a printer, helping to push in a syringe, or comforting a veteran with PTSD while he sleeps, Buddy, the incredible new documentary from legendary filmmaker Heddy Honigmann is a beautifully composed, heartwarming portrait of six amazing service dogs and their heroic owners that explores the close bond between animal and human.

In the Mexican village of Milpillas, deteriorating economic and social conditions have led to a wave of suicides among its young people. The remarkable new documentary Cabellerango, from filmmaker Juan Pablo González, examines one such case, relying on conversations with family members and townspeople to piece together the factors that led to this tragic incident, and in the process, reflect upon the changes occurring across much of the country.

Named the best film of the year by The New York Times, Robert Greene’s extraordinary Bisbee ‘17 radically combines collaborative documentary, western, and musical elements to recreate a mass deportation of striking miners (mostly Mexican and Eastern European immigrants) that occurred in 1917. Greene confronts issues of immigration, unionization and environmental damage while linking a tragic moment in American history to our own turbulent times.

A visionary filmmaker and photographer, Khalik Allah exploded onto the scene with Field Niggas (2015), a grassroots production which went from a YouTube upload to a sensation on the festival circuit. In his celebrated follow-up, Black Mother, Allah brings us on a spiritual journey through Jamaica, the land of his mother's birth, informed by the island's turbulent history yet existing in the urgent present.

In 2009, artist Enid Baxter Ryce discoved hundreds of wall paintings that were drawn by soldiers who'd been stationed at the abandoned Fort Ord military base. Her documentary presents and discusses these remarkable, long-hidden murals, offering unique insight into the soldiers' lives, alongside archival training footage from the Vietnam era (when Fort Ord was active) and portraits of the homeless veterans occupying the land today.

Akosua Adoma Owusu is a Ghanaian-American filmmaker, producer and cinematographer whose award-winning work addresses the collision of identities, and themes such as feminism, queerness and African immigrants interacting in African, white American, and black American culture. This edition presents thirteen of her short films.

A beautifully composed and magical documentary, Distant Constellation introduces us to the colorful residents of a Turkish retirement home, a community made up of pranksters, historians, artists and would-be Casanovas. An Independent Spirit Award nominee, this playful, dreamy film is one of the most unforgettable cinematic experiences of the year.

Between 1958 and 1960 Walter Hess and Manny Kirchheimer shot black and white 16mm film from Wall Street to midtown New York to the Delaware River. The footage was left unedited. Nearly 60 later, Kirchheimer took up the challenge of editing it, adding music and sound that would mesh with the surrealism of the material. The result is a dynamic and compact symphony of a city.

From the Academy Award nominated director of DRIVE MY CAR. A truly original Vertigo riff, based on a novel by Tomoka Shibasaki, Asako I & II is a mysterious and intoxicating pop romance. Ryusuke Hamaguchi's beguiling film traces the trajectory of a love—or, to be accurate, two loves—found, lost, displaced, and regained.

A new edition of the landmark documentary, William Eggleston in the Real World – from Michael Almereyda, director of Escapes, Marjorie Prime, Experimenter, and Hamlet, among others – is a brilliant and intimate look at the renowned photographer, whose hallucinatory Faulknerian images were featured in the Museum of Modern Art's first one-man exhibition of color photographs.

Three brothers confront the chasm between adolescent yearning and adult responsibilities when brought together to care for their charismatic ninety-three year old grandmother in this critically-acclaimed documentary, “a sublime, magical masterpiece.” (Joshua Oppenheimer, director, The Act of Killing)

Deep inside a pristine forest, we hear the sudden sound of a chainsaw felling a fir tree. So begins this breathtakingly photographed, puzzle-like documentary which follows the mysterious journey of the tree’s lumber entirely through thirteen 360° panning shots; a wide-angle picture of the role nature plays in a world defined by globalization.

A marvelous exploration of Cezanne's "Still Life with Apples," Leo Hurwitz and Manfred Kirchheimer probe the mysteries of this modern masterpiece by simply observing the work, closely without commentary, focusing on the details - the brushstrokes, abstract shapes, color juxtapositions, hidden images - and in the process, discover its secrets.

Sometimes the end of the word can be a new beginning. In this boldly original take on the last man on earth genre, filmmaker Ulrich Kohler – part of the acclaimed Berlin School, a loosely defined group that includes Christian Petzold and Maren Ade – tells the story of a man adrift who awakens one morning to discover that seemingly all of humanity has disappeared.