Straub-Huillet | 35mm

The films in this section are in the process of being restored and currently available for 35mm rental only. They are not listed in other sections.
CLASS RELATIONS
CLASS RELATIONS
Straub-Huillet's brilliant distillation of Franz Kafka’s incomplete first novel Amerika is perhaps the author's most authentically German treatment, and an ecstatic, haunted fever dream of the United States.
THE DEATH OF EMPEDOCLES
THE DEATH OF EMPEDOCLES
In Straub-Huillet’s mesmerizing adaptation of Hölderlin’s tragic poem, written during the outbreak of the French Revolution, Greek philosopher Empedocles — who possessed magical healing powers through his communion with the gods and nature — is at the point of death.
BLACK SIN
BLACK SIN
Empedocles debates Pausanias, his loyal disciple, about the divine powers of love and strife that govern all matter in this adaptation of the unfinished late-18th-century play by the German lyric poet Frederich Hölderlin.
CEZANNE. CONVERSATION WITH JOACHIM GASQUET
CEZANNE. CONVERSATION WITH JOACHIM GASQUET
Straub-Huillet use passages from Gasquet's invaluable memoir of Paul Cézanne, together with pastoral scenes from Renoir’s Madame Bovary and photographs of Cézanne by the painter Maurice Denis, to make a moving and profound personal essay.
ANTIGONE
ANTIGONE
The tragedy of Antigone loses none of its dramatic force across the centuries in this classic retelling by Straub-Huillet; its themes of bloodlust and blindness, wisdom and sacrifice, resonating ever more intensely after war and genocide.
LOTHRINGEN!
LOTHRINGEN!
Straub-Huillet draw upon a pair of novels by Maurice Barrès, a celebrated Alsatian author, extreme nationalist, and ardent anti-Dreyfusard, to tell tales of perfidy, humiliation, and resistance during the German occupation of Alsace-Lorraine between 1870 and 1918.
FROM TODAY UNTIL TOMORROW
FROM TODAY UNTIL TOMORROW
Schoenberg’s rarely performed one-act opera, a withering portrait of a suffocating bourgeois marriage, gets the Weimar treatment in Straub-Huillet’s staged film.
SICILIA!
SICILIA!
Something as simple as a herring roasting on a hearth, or a meal of bread, wine and winter melon, takes on the humble aura of a Caravaggio painting in Straub-Huillet's masterful tragicomedy about Sicilians who are poor of means but rich in spirit.
WORKERS, PEASANTS
WORKERS, PEASANTS
The story, which Italo Calvino called a “choral narrative,” centers on a group of workers and peasants, many of them ordinary laborers and farmers, who rebuild their lives in the aftermath of the Second World War by reconstructing a destroyed village and forming a utopian community.
THE RETURN OF THE PRODIGAL SON/HUMILIATED
THE RETURN OF THE PRODIGAL SON/HUMILIATED
Straub-Huillet take as their inspiration the 1949 novel Women of Messina by the Sicilian writer Elio Vittorini, whose courageous wartime work in the underground Communist resistance press led to his imprisonment by the Fascists.
A VISIT TO THE LOUVRE
A VISIT TO THE LOUVRE
Straub-Huillet's visit to the Louvre reflects their fierce sentiments on art and their way of looking, using the words of Paul Cézanne to critique images, to be venomous about some artists and honey-tongued about others.
ITINERARY OF JEAN BRICARD
ITINERARY OF JEAN BRICARD
Straub films Coton Island, home of Jean Bricard and site of Nazi atrocities, against a stark and leaden winter light, using deliberatively long tracking shots and nearly still compositions to evoke a kind of enduring resilience.
ARTEMIDE'S KNEE
ARTEMIDE'S KNEE
Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music — such as Gustav Mahler’s Songs of the Earth: The Farewell (which the composer wrote in 1909 after the death of his daughter) — and nature.
THE WITCHES, WOMEN AMONG THEMSELVES
THE WITCHES, WOMEN AMONG THEMSELVES
In this haunting short work, the enchantress Circe recounts to Leucò her attempts to bewitch and bed Odysseus. She talks about men and women, the human and the divine, and the brave hero who chooses to become neither a pig nor a God.