IWOW: I WALK ON WATER

Allah focuses his attention on longtime muse Frenchie, a 60-something schizophrenic, homeless Haitian man. Over the summer of 2019, Allah and Frenchie’s lives became increasingly intertwined—a relationship that Allah documents with radical, spiritual transparency. In parallel, Allah also turns the camera on himself to document a turbulent romantic relationship and grapple with personal notions of spirituality and mortality - all inquiries about which he gathers advice from charismatic confidants including Fab 5 Freddy, members of the Wu-Tang Clan, and, in deeply moving exchanges, his own mother. 

By questioning universal and personal inward dynamics, IWOW obscures the boundary between conceptual art and memoir. Sometimes painful in its vulnerability, often extremely funny in its candor, and always visually extraordinary, Allah’s one-of-a-kind, intimate epic is a contemporary rethinking of the diary film: Gordon Parks meets Jonas Mekas.