Spring 2020

The greatest hoax in the history of Modern Art. Driven to Abstraction unravels an improbable tale of self-delusion, greed, and fraud – the $80 million forgery scandal that rocked the art world and brought down New York's oldest and most venerable gallery. Was the gallery’s esteemed director the victim of a con artist who showed up with an endless treasure trove of abstract expressionist masterpieces? Or did she suspect they were fakes yet continue to sell them for millions of dollars?

THAT WHICH DOES NOT KILL

Ada, just 19 years old, went to the house of a young man she knew. She didn’t fight back and it all happened very quickly, but the trauma remains. With humility and frankness, this powerful documentary tackles the delicate and intimate matter of rape. Through a diversity of experiences and perspectives, it examines stubborn prejudices without sanctimony or condescension, provoking the sort of collective introspection - and discussion - the #MeToo movement has necessitated.

SAN VITTORE

Every time children visit their parents at San Vittore, Milan’s oldest prison, they’re subjected to thorough security checks – backpacks searched, toys checked, pat downs, metal detectors, endless waks down bare corridors. Incorporating drawings made by the children while they wait (in some the prison is transformed into a castle, the prisoners into kings and queens), this striking short documentary from Yuri Ancarini meticulously depicts the lingering psychological and emotional trauma of this process.

WILCOX

A man goes into the woods alone. We know nothing about him, apart from his military-style attire with a nametag indicating he might be called Wilcox. Is he a traumatized veteran, a survivalist, a desperate man or even a philosopher-hermit? A documentary style fictional film, a minimalist adventure yarn haunted by reality, Wilcox, from award-winning filmmaker Denis Cote, is both simple and mysterious, a non-judgmental perspective on people who decide to remove themselves from the world.

VITALINA VARELA

Winner of the Golden Leopard for Best Film and Best Actress at the Locarno Film Festival, Vitalina Varela is the masterful new film from acclaimed director Pedro Costa. A work of deeply concentrated beauty, it stars nonprofessional actor Vitalina Varela in a remarkable performance (based on her life), as a Cape Verdean woman who hopes to reunite with her husband after decades of separation due to economic circumstance, only to arrive in a strange land mere days after his funeral.

THOSE THAT, AT A DISTANCE, RESEMBLE ANOTHER

Extending from filmmaker Jessica Sarah Rinland's ongoing research into natural habitats and various forms of preservation, this exquisite documentary traces, with sinuosity and exactitude the production of a lab-engineered replica of an elephant tusk dating from the late 19th century. The film gradually opens up to reflections on ecological and museological conservation, fabrication materials, and authenticity.

HAVANA, FROM ON HIGH

The chronic shortage of housing in Central Havana has pushed the city upwards forcing some to make their homes on building rooftops. This wondrous documentary tells the story of these remarkable and resilient rooftop dwellers - a secret village, hidden from the clamor of the streets below - who have a privileged point of view on a society in the process of major transformation.

JADDOLAND

A visit to her mother’s home art studio in Texas prompts the filmmaker to explore the meaning of home and the search for belonging across three generations of her Iraqi family. Winner of the Truer Than Fiction Award at the 2020 Film Independent Spirit Awards.

MR. TOILET: The World's #2 Man

To a stranger, he’s a guy obsessed with toilets, but to those who know him he's “Mr. Toilet,” a crusader in global sanitation. A former entrepreneur, Jack Sim uses humor to campaign for something no one dares talk about: shit. It's a crisis that impacts over 2 billion people. In India alone, 200,000 children die each year from lack of safe sanitation. Jack fought for and established UN World Toilet Day, but with recent corporate pushback and thinning resources, he is discovering there is a price to pay for being the world's #2 hero.

THE HOTTEST AUGUST

What does the future look like from where we are standing? The focus of this extraordinary documentary – filmmaker Brett Story’s follow-up to her critically-acclaimed The Prison in Twelve Landscapes – is one city over one month (New York during August 2017), a month heavy with the tension of a new President, growing anxiety over rising rents, marching white nationalists, and unrelenting news of wildfires and hurricanes. Empathetic and incisive, The Hottest August offers a kaleidoscopic portrait of a nation at a unique moment in time.

THY KINGDOM COME

Initially intended as brief episodes for Terence Malick's To The Wonder which captured Javier Bardem (a parish priest in the film) talking with real-life residents of an Oklahoma town, this documentary project grew in scope as the townspeople, wholly aware that Bardem was a fictional priest, chose to share personal details of their lives. Thy Kingdom Come is a revelatory work in which unscripted conversations, shot by photographer and filmmaker Eugene Richards in beautiful widescreen, come to reveal the complexity of life in this small oil town.

ZIVA POSTEC: The Woman Who Edited Shoah

In 1985, Claude Lanzmann debuted Shoah, one of the most monumental cinematic works of all time. Ziva Postec was an indispensable part of the project. In this fascinating documentary, Postec recalls this gargantuan, painful and necessary experience which consumed six years of her life. With previously unseen footage from the making of Shoah, it's a moving portrait of an artist who for a long time has largely gone unnoticed, eclipsed by the towering presence of her male colleague.

PROTOTYPE (3D)

Hailed as "the most significant 3-D film since Godard’s Goodbye to Language" (Village Voice), Blake Williams' experimental sci-fi masterwork immerses us in the aftermath of the deadly hurricane that struck Galveston, Texas in 1900 to create something entirely new; a haunting treatise on technology, cinema, and the medium’s future.