A remarkable record of black life in the 1940s, as found in the films of Spencer Williams, the pioneering African American filmmaker. A new essay by Thom Andersen, director of Los Angeles Plays Itself.
Beginning with Ozu's 1936 The Only Son, Thom Andersen's latest cinematic treat, a documentary short, is an anthology of train arrivals, comprising 26 scenes from movies, 1904-2015.