Spotlight: M. Kirchheimer

Between 1958 and 1960 Walter Hess and Manny Kirchheimer shot black and white 16mm film from Wall Street to midtown New York to the Delaware River. The footage was left unedited. Nearly 60 later, Kirchheimer took up the challenge of editing it, adding music and sound that would mesh with the surrealism of the material. The result is a dynamic and compact symphony of a city.

A marvelous exploration of Cezanne's "Still Life with Apples," Leo Hurwitz and Manfred Kirchheimer probe the mysteries of this modern masterpiece by simply observing the work, closely without commentary, focusing on the details - the brushstrokes, abstract shapes, color juxtapositions, hidden images - and in the process, discover its secrets.

A new film from veteran filmmaker Manfred Kirchheimer is always a cause for celebration; with My Coffee, Kirchheimer uses a simple, humorous title as a screen to ask serious questions, from gender inequality to secularism to the Israeli/Palestinian conflict, for a deeply thoughtful exploration of contemporary Jewish identity.

Manfred Kirchheimer, director of award-winning films such as Stations of the Elevated and Tall: The American Skyscraper and Louis Sullivan, whom the New York Times recently called "an indispensable New York filmmaker," takes to the streets in an ode to the men and women who earn their daily bread by diligently collecting New York City’s bottles and cans.