Spring 2023

Five centuries ago, anatomist André Vésale opened up the human body to science for the first time in history. Today, De Humani Corporis Fabrica opens the human body to the cinema. In their thrilling new work of nonfiction exploration, Véréna Paravel and Lucien Castaing-Taylor (Leviathan) burrow deeper than ever, using microscopic cameras and specially designed recording devices to survey the wondrous landscape of the human body.

LAST FLIGHT HOME

Acclaimed filmmaker Ondi Timoner's (Dig!, We Live in Public) latest film is a deeply personal chronicling of the final days of her 92-year-old father, Eli, as he chooses to end his own life (legally, under California law). The family journeys back through Eli's remarkable yet painful life (Eli Timoner founded Air Florida, the fastest growing airline in the world in the 1970s) to discover what true love looks like. Last Flight Home is a transcendent celebration of life.

ART AND KRIMES BY KRIMES

While locked-up for six years in federal prison, artist Jesse Krimes secretly creates monumental works of art—including an astonishing 40-foot mural made with prison bed sheets, hair gel, and newspaper. He smuggles out each panel piece-by-piece with the help of fellow artists, only seeing the mural in totality upon coming home. As Jesse's work captures the art world's attention, he struggles to adjust to life outside, living with the threat that any misstep will trigger a life sentence.

SEXUAL HEALING

A wondrous and important film about the necessity of intimate human contact for every human being. Evelien, spastic from birth, and only knowing disappointing sexual experiences, is taking the first steps on her quest for intimacy. After a lifetime of mostly clinical forms of touch, she sets out to claim sexual pleasure. On her journey, Evelien discovers new parts of her body and self, as she gradually opens to the needs and desires she has been suppressing, having been told sexual touch shouldn’t matter due to her disability.

REWIND AND PLAY

In 1969, at the end of a European tour, Thelonious Monk was invited to appear on a television program, where he would perform and answer questions in an intimate studio stage. Using newly discovered footage, filmmaker Alain Gomis reveals the troubling dynamic between Monk and his white interviewer. Gomis’s gripping film is a fascinating behind-the-scenes documentary; a subtle yet searing exposé of casual racism; and, above all, a chance to see one of the monumental geniuses of 20th-century music at work.

ANASTASIA

This powerful documentary short spotlights the life of Russian civil rights activist Anastasia Shevchenko as she faces the brutal repercussions of speaking out against her government. Shevchenko endured house arrest for two years, and became the first person found guilty of “organizing activity of an undesirable organization” by a Russian court for her work with the Open Russia movement. Amnesty International declared her a “prisoner of conscience.”

STONEBREAKERS

Stonebreakers chronicles the conflicts around monuments that arose in the United States during the George Floyd protests and the 2020 presidential election and continue to reverbate in towns and cities across the country. As statues of Columbus, Confederates and Founding Fathers fall from their pedestals and triumphalist myths are called into question, this film interrogates the link between history and political action in a nation that must confront its past now more urgently than ever.

ANGOLA DO YOU HEAR US? VOICES FROM A PLANTATION PRISON

This acclaimed documentary tells the story of playwright Liza Jessie Peterson, whose celebrated play "The Peculiar Patriot" was shut down mid-performance at the Louisiana State Penitentiary, commonly known as Angola Prison. It examines how one woman's play challenged the country's largest plantation prison and impacted the incarcerated men long after the record of her visit was erased by the institution's administration.

AMERICAN RIVER

The thrilling American River follows Mary Bruno, the noted environmental author, and guide Carl Alderson on a 4-day, 80 mile adventure down the Passaic River, from its pristine source in a wildlife refuge to its toxic mouth in Newark Bay. Engaging residents, historians and advocates in candid conversations, the film asks how the Passaic became one of the most contaminated rivers in America? And can it be saved? The Passaic is an archetype for thousands of rivers facing similar reckonings.

MORE THAN I WANT TO REMEMBER

One night at her home in southeastern Congo, 14-year-old Mugeni awakes to the sounds of bombs. As her family scatters to the surrounding forests to save themselves, Mugeni finds herself completely alone. From there, she sets out on a remarkable solo journey across the globe, determined to reunite with her lost loved ones and lift up the Banyamulenge people.

FAVORITE DAUGHTER

An intimate portrait of director Dana Reilly's grandmother Sylvia Weinstock and mother Janet Isa, sheltering in place together in a lower Manhattan apartment during the COVID-19 pandemic. Raw and charming, melancholy and funny—a portrait of two women with vastly different experiences coming together and supporting one another through the uncertainty of spending the next chapters of their lives “alone,” without a partner.

IWOW: I WALK ON WATER

Since 2011, Khalik Allah (Black Mother) has attracted global attention for his radiant portraits of the denizens of 125th and Lexington in East Harlem. In IWOW, Allah returns to the intersection to explore narratives of intimacy, voice, identity and personal transformation. Sometimes painful in its vulnerability, often extremely funny in its candor, and always visually extraordinary, Allah’s one-of-a-kind epic is a contemporary rethinking of the diary film: Gordon Parks meets Jonas Mekas.

PACIFICTION

Named the Best Film of the Year by Cahiers du Cinema, and acclaimed by numerous publications, Pacifiction is a mesmerizing feature from filmmaker Albert Serra that follows a French bureaucrat (Benoit Magimel in an extraordinary performance) drifting through a fateful trip to a French Polynesian island. "One of the most beautiful and rigorously introspective movies of this or any year, a film that makes you deeply ponder the fate of humanity itself."(IndieWire)

RESOURCES

The meat industry is booming in Canada, where huge factories use standardized production methods to convert vast herds of livestock into meat. They hire asylum seekers, mainly from Latin America, so they can continue to produce at competitive rates. This observational film splits its focus between the workers and the animals, considering the living conditions of both, while providing a subtle yet critical look at a world driven by capitalism and the links in the chain that make this possible.

AS FAR AS THEY CAN RUN

An intimate, unflinching look at children with intellectual disabilities in rural Pakistan who have been deemed "useless" by their communities. A searing "verité" portrait of three young teenagers who manage to find some acceptance and a place in society through sports. As Far As They Can Run is a moving documentary that offers an insightful window into the world of Special Olympics and the impact this event has on a community.

DRY GROUND BURNING

An electrifying portrait of Brazil’s dystopian contemporary moment that blends documentary with narrative fiction and genre elements, Dry Ground Burning presents a daring vision of the country’s possible future. The film is set in the Sol Nascente favela in Brasilia, where fearsome outlaw Chitara leads an all-female gang that siphons and steals precious oil from the authoritarian, militarized government, while her sister, Léa, recently released from prison, is brought into the criminal enterprise.

O SANGUE (BLOOD)

Admirers of Pedro Costa’s more recent work are often thrown for a thrilling loop by the glossy, liquid textures and lush atmospherics of the director’s first feature, a beguiling fairytale about the trials undergone by two brothers in the wake of their father’s violent death. “O Sangue,” Costa said in an interview, “was also the beginning of my love—maybe love is the wrong word—for domestic cinema. A kind of cinema that shows how people live.”

PARADISE

Michael Almereyda’s (Tesla, Hamlet, Marjorie Prime) Paradise is an astonishingly beautiful and poignant sketchbook, a collection of fragmentary episodes captured during ten years of travels. Shot in roughly two dozen cities in nine different countries, they are linked, the director writes, by “the idea that life is made up of brief paradisiacal moments—moments routinely taken for granted, and always slipping away."

PHYLLIS AND HAROLD

An astoundingly frank journey through a disastrous 59-year marriage. Drawing on a lifetime of her family’s home movies and interviews made over 12 years, filmmaker Cindy Kliene mixes reportage, cinema verité and animation to uncover family secrets and tell a story that could not be shown publicly as long as her father was still alive.Phyllis and Harold delve into the mystery of time passing, the nature of living a life, and the challenges of losing those we love.