Military Studies

Military Studies

INTERCEPTED
INTERCEPTED
What drives the people who come to your country to wage war? Intercepted is an attempt to find an answer by showing two parallel worlds. Ukrainian intelligence services have intercepted thousands of phone calls Russian soldiers made from the battlefield in Ukraine to their families and friends in Russia, painting a stark picture of the cruelty of war in a dizzying emotional tension.
A PICTURE TO REMEMBER
A PICTURE TO REMEMBER
A Picture to Remember is an essayistic account of a family's long journey through the war. It chronicles the search for a way to handle terrible and recurring losses experienced by three generations of Ukrainian women-those of the director, her mother, and that of her grandmother. The Kyiv-based filmmaker uses old family films in her attempt to bridge the distance between her and her grandmother in Donetsk.
WE WILL NOT FADE AWAY
WE WILL NOT FADE AWAY
Written and directed by Ukranian filmmaker Alisa Kovalenko, We Will Not Fade Away is a tender and emotional multi-portrait of five Ukrainian teenagers, trapped in the war zone in Donbas, who dream of freedom and discovering the world outside. Andriy, Lisa, Ruslan, Lera and Illia grew up in small coal mining towns, right on the front line. They fight against the boredom and the multiple frustrations of finding out who you are. 
FAR FROM AFGHANISTAN
FAR FROM AFGHANISTAN
An omnibus film by five American filmmakers and a collective of young Afghan media journalists, Far From Afghanistan forms a mosaic of cinematic approaches to take a critical look at the longest overseas war in U.S. history. Inspired by the 1967 collaborative undertaking, 'Loin du Vietnam', 'Far from Afghanistan' explores, through a mosaic of approaches, issues of shared responsibility, history and memory - all in a concerted effort to help accelerate political resistance to the war.
A LAND FOR WAR
A LAND FOR WAR
In 2009, artist Enid Baxter Ryce discoved hundreds of wall paintings that were drawn by soldiers who'd been stationed at the abandoned Fort Ord military base. Her documentary presents and discusses these remarkable, long-hidden murals, offering unique insight into the soldiers' lives, alongside archival training footage from the Vietnam era (when Fort Ord was active) and portraits of the homeless veterans occupying the land today.
AFTER FIRE
AFTER FIRE
With intimate access to the lives of women veterans, After Fire is an observational documentary that throws a spotlight on the human toll of military service - including military sexual trauma, combat injuries and bureaucratic dysfunction - examining the challenges faced by the fastest-growing group of American veterans: women
FRAGMENT 53
FRAGMENT 53
Candid, haunted and often shocking interviews with warlords from Liberia’s First Civil War form the core of this transfixing inquiry into Africa’s modern history and the nature and essence of war itself.
FROM WHAT IS BEFORE
FROM WHAT IS BEFORE
Lav Diaz' follow up to his acclaimed Norte, the End of History, is an extraordinary epic examining the conditions that led to the rise of the Marcos regime in 1970s Philippines.
FORT BUCHANAN
FORT BUCHANAN
A bracingly original debut, filmmaker Benjamin Crotty uses the tragicomic plight of a frail young man stranded at a military outpost amid a lascivious band of army wives to craft a queer soap opera for the ages.
IMPRESSION OF A WAR
IMPRESSION OF A WAR
An artful meditation on Colombia's 70-year civil war--and the culture of violence that pervaded every aspect of society--through the marks, traces and images it left behind.
VICTORY DAY
VICTORY DAY
A courageous, essential portrait of what its like to be gay in Russia today, from Alina Rudnitskaya, one of the country's most important filmmakers. 
LAST DAY OF FREEDOM
LAST DAY OF FREEDOM
2016 Academy Award nominee for Best Documentary Short Subject, an extraordinary, animated documentary exploring some of the most pressing social issues of our day - racial bias, veteran’s care, mental health and criminal justice.