121 Minutes to 180 Minutes

Named the Best Film of the Year by Cahiers du Cinema, and acclaimed by numerous publications, Pacifiction is a mesmerizing feature from filmmaker Albert Serra that follows a French bureaucrat (Benoit Magimel in an extraordinary performance) drifting through a fateful trip to a French Polynesian island. "One of the most beautiful and rigorously introspective movies of this or any year, a film that makes you deeply ponder the fate of humanity itself."(IndieWire)

DRY GROUND BURNING

An electrifying portrait of Brazil’s dystopian contemporary moment that blends documentary with narrative fiction and genre elements, Dry Ground Burning presents a daring vision of the country’s possible future. The film is set in the Sol Nascente favela in Brasilia, where fearsome outlaw Chitara leads an all-female gang that siphons and steals precious oil from the authoritarian, militarized government, while her sister, Léa, recently released from prison, is brought into the criminal enterprise.

FAR FROM AFGHANISTAN

An omnibus film by five American filmmakers and a collective of young Afghan media journalists, Far From Afghanistan forms a mosaic of cinematic approaches to take a critical look at the longest overseas war in U.S. history. Inspired by the 1967 collaborative undertaking, 'Loin du Vietnam', 'Far from Afghanistan' explores, through a mosaic of approaches, issues of shared responsibility, history and memory - all in a concerted effort to help accelerate political resistance to the war.

THE MAD SONGS OF FERNANDA HUSSEIN

Shot over a period of six years on a minuscule budget and with a cast of nonprofessional actors, The Mad Songs of Fernanda Hussein revisits the experience of the Gulf War through a reverse lens, focusing on the war's reverberations in America. Weaving three fictional stories alongside documentary footage, interviews and a singular concert performance, creates a multi-layered text that examines the lasting ramifications of the war on three characters in New Mexico.

AFTERNOON

Tsai Ming-Liang’s films (Days, Goodbye Dragon Inn, Rebels of the Neon God) typically have few lines of dialogue. He must have saved all his words for Afternoon, a conversation between him and his muse, actor Lee Kang-sheng, filmed in four static takes as the two sit next to each other in front of the camera. The visibly moved director talks to Lee about mortality, his beloved grandfather, sexuality, and their special bond in this laying bare of intimate thoughts. This is a must-see companion piece to Tsai’s rich body of work.

VIRGIN STRIPPED BARE BY HER BACHELORS

Award winning director Hong SangSoo dishes up a fresh take on modern courtship. When filmmaker Young-soo introduces his wealthy gallery owner friend Jae-hoon to another friend, the female television writer Soo-jung, the table is set for a complicated triangular relationship.

RED POST ON ESCHER STREET

When filmmaker Tadashi Kobayashi begins to hold open auditions for a new studio-sponsored film, a wave of experienced and aspiring actors scramble to apply, yearning for a chance to work with the genius director. Recalling the spirit of Irma Vep and Day For Night, this singular film from legendary director Sion Sono (whose latest film, Prisoners of the Ghostland, starring Nicolas Cage is currently in theaters) is a bitingly funny paean to the creative spirit.

DAYS

Helmed by Tsai Ming-liang, Days is a Drama that doesn't mince words. Minimalist and slowly paced, the film features little dialogue. Under the pain of illness and treatment, Kang (Lee Kang-sheng) finds himself adrift. He meets Non (Anong Houngheuangsy) in a foreign land. They find consolation in each other before parting ways and carrying on with their days.

FRANCISCA

Based on Agustina Bessa-Luís’ acclaimed novel, itself inspired by a true story that occurred in the 19th century, Manoel de Oliveira's Francisca recounts the life of a young man, a son of an English officer, who lets himself become a prisoner of love resulting in fatalism and disgrace. With its gorgeous cinematography, gloomy interiors, and show-stopping gala set-pieces, Francisca (The Strange Case of Angelica, I'm Going Home) is one of the legendary director’s crowning achievements.

VITALINA VARELA

Winner of the Golden Leopard for Best Film and Best Actress at the Locarno Film Festival, Vitalina Varela is the masterful new film from acclaimed director Pedro Costa. A work of deeply concentrated beauty, it stars nonprofessional actor Vitalina Varela in a remarkable performance (based on her life), as a Cape Verdean woman who hopes to reunite with her husband after decades of separation due to economic circumstance, only to arrive in a strange land mere days after his funeral.

IN THE FAMILY

The Independent Spirit Award-nominated debut of acclaimed filmmaker Patrick Wang (A Bread Factory, The Grief of Others), In The Family is a heartfelt story woven around child custody, two-Dad families, loss, interracial relations, the American South, and the nature of what it means to be in a family, all explored with ambitious and rewarding nuance.

THE TRIAL

A riveting behind-the-scenes look at the impeachment trial of Brazil's first female President, Dilma Rousseff. Granted unique access to the defense team, senators and President Rousseff herself, this explosive documentary captures this profound political crisis while reflecting on the dangers facing so many democracies throughout the world.

STREETSCAPES [DIALOGUE]

A director speaks at length to a psychoanalyst, confiding his obsessions, fears, ideas about cinema, and creative blocks. Based on his own six-day psychoanalytic treatment with trauma specialist Zohar Rubinstein, Heinz Emigholz’s latest masterwork is a demonstration of his singular working methods, and a playful, moving treatise on trauma and architecture.

MILLA

In a delicate, even generous manner, Milla begins as a story of two young lovers’ life on the fringes before shifting towards one of recent cinema’s finest depictions of motherhood. Valerie Massadian's poetic, startling vision recalls the work of filmmakers like Barbara Loden or Chantal Akerman but remains wholly and fiercely original.

WORKERS, PEASANTS

The story, which Italo Calvino called a “choral narrative,” centers on a group of workers and peasants, many of them ordinary laborers and farmers, who rebuild their lives in the aftermath of the Second World War by reconstructing a destroyed village and forming a utopian community.

NOCTURAMA

A terrorism thriller like no other, recalling Robert Bresson’s The Devil, Probably as much as it does George A. Romero’s Dawn of the Dead, the acclaimed new film from Bertrand Bonello (Saint Laurent) is one of the 21st century’s most provocative and stirring cinematic experiences.

GENERAL REPORT II

A fascinating investigation of the economic, political, social, and environmental crises currently affecting Europe, Catalan filmmaker Pere Portabella's new documentary updates and expands the scope of its 1976 predecessor, positing that European reality today is every bit as unhinged as it was 40 years ago.

GENERAL REPORT

Shot in the months following Franco's death, whose regime had ruled Spain for nearly 40 years, Pere Portabella's landmark documentary combines clandestinely filmed footage of public protests with extensive conversations between politicians as they try to determine how to transition from a dictatorship to a democracy.

FENGMING

Often cited as one of the great documentary achievements, Wang Bing's dazzling tour-de-force — a gripping monologue recounting five decades in the life of a once-ardent socialist in the new China — is a testament to the power of oral history and the strength of one extraordinary woman. Never before available.

STORM CHILDREN

With striking b&w photography, this acclaimed documentary from Philippine master Lav Diaz takes stock of the devastation caused by typhoon Yolanda.

RIGHT NOW WRONG THEN

A film director falls for a young painter - twice - in this acclaimed masterpiece from celebrated filmmaker Hong Sangsoo.