Cinema Studies

Cinema Studies

ESCAPES
ESCAPES
Directed by Michael Almereyda and executive produced by Wes Anderson, a journey through 20th-century Hollywood via the experiences of Hampton Fancher – flamenco dancer, actor, and unlikely producer and screenwriter of Blade Runner - showing how one man's personal journey can shape a medium's future.
VAMPIR-CUADECUC
VAMPIR-CUADECUC
Filmed on the set of Jess Franco’s Count Dracula starring Christopher Lee, Portabella’s masterpiece mixes making-of footage and an electronic soundtrack for an investigation into the figure of the vampire - as both a reflection on fascism and cinema - to create a subversive fever dream of a meta-film.
SARAH WINCHESTER, PHANTOM OPERA
SARAH WINCHESTER, PHANTOM OPERA
A film about ghosts and madness that is itself a kind of ghost, this short from master Bertrand Bonello (Nocturama, Saint Laurent) tells the story of Sarah Winchester, heiress to the Winchester rifle fortune who was driven to insanity by unseen forces.
88:88
88:88
Referencing the digital display of electric appliances after the power’s been repeatedly cut off, Isiah Medina’s audacious experimental work – one of the most acclaimed in recent years – is a personal meditation on family, friendship and the experience of living in poverty.
THE HUMAN SURGE
THE HUMAN SURGE
One of the year’s most bracingly original debuts, The Human Surge is a global journey that jumps from Argentina to the Philippines to Mozambique, a road movie that fuses fiction and documentary for a portrait of today’s youth at a time of economic uncertainty and illusory hyper-connection.
THE ILLINOIS PARABLES
THE ILLINOIS PARABLES
Filmmaker Deborah Stratman recounts eleven episodes in American history — from the violent eviction of the Cherokee to the invention of the nuclear reactor to the murder of Black Panther leader Fred Hampton — to consider how societies are shaped by belief and ideology.
KATE PLAYS CHRISTINE
KATE PLAYS CHRISTINE
Winner of a Special Jury Prize at the Sundance Film Festival, Robert Greene's incisive documentary exploring the story of a newswoman who committed a shocking act on live TV in the 1970s is an inquiry into our culture, media, the role of women in society and the workforce.
JUKE
JUKE
A remarkable record of black life in the 1940s, as found in the films of Spencer Williams, the pioneering African American filmmaker. A new essay by Thom Andersen, director of Los Angeles Plays Itself.
A TRAIN ARRIVES AT THE STATION
A TRAIN ARRIVES AT THE STATION
Beginning with Ozu's 1936 The Only Son, Thom Andersen's latest cinematic treat, a documentary short, is an anthology of train arrivals, comprising 26 scenes from movies, 1904-2015.
LOST AND BEAUTIFUL
LOST AND BEAUTIFUL
Conceived as a documentary, director Pietro Marcello had to change course when his lead, a humble shepherd turned local hero, passed away during production. The resulting film is a beautiful and fantastical ode to his memory and their beloved country.
FROM WHAT IS BEFORE
FROM WHAT IS BEFORE
Lav Diaz' follow up to his acclaimed Norte, the End of History, is an extraordinary epic examining the conditions that led to the rise of the Marcos regime in 1970s Philippines.
FORT BUCHANAN
FORT BUCHANAN
A bracingly original debut, filmmaker Benjamin Crotty uses the tragicomic plight of a frail young man stranded at a military outpost amid a lascivious band of army wives to craft a queer soap opera for the ages.
THE ACADEMY OF MUSES
THE ACADEMY OF MUSES
A university professor espouses the role of muses in art and literature as a means of romancing his students in this breathtaking new film from the acclaimed director of In the City of Sylvia.
DON'T BLINK - ROBERT FRANK
DON'T BLINK - ROBERT FRANK
One of the most influential artists of the 20th century, a documentary about Robert Frank, the legendary photographer and filmmaker behind the seminal book “The Americans” and landmark films like Pull My Daisy.
THE DAY BEFORE THE END
THE DAY BEFORE THE END
A haunting, apocalyptic vision rendered in vivid black & white tableaux, a striking short film from the long-form master, Lav Diaz.
KAILI BLUES
KAILI BLUES
A stunning, dreamlike debut, a country doctor's search for an abandoned child takes him to a mysterious place where past, present and future become one.
DOUBLE PLAY: BENNING AND LINKLATER
DOUBLE PLAY: BENNING AND LINKLATER
This documentary on the friendship between these renowned filmmakers explores the connections and divergences in their approach to life and cinema.
CASA DE LAVA
CASA DE LAVA
In only his second feature, Portuguese filmmaker Pedro Costa (Horse Money) brilliantly reworked Jacques Tourneur's classic I Walked with a Zombie into a reflection on his country’s colonial legacy. Never before released in the U.S. and now beautifully restored.
TAKE WHAT YOU CAN CARRY
TAKE WHAT YOU CAN CARRY
The first film made outside his native Baltimore, a luminous short film exploring place, character and transition from filmmaker Matt Porterfield (Putty Hill).
THE THOUGHTS THAT ONCE WE HAD
THE THOUGHTS THAT ONCE WE HAD
A richly digressive journey through cinematic history from master cinematic essayist Thom Andersen (Los Angeles Plays Itself).
RIGHT NOW WRONG THEN
RIGHT NOW WRONG THEN
A film director falls for a young painter - twice - in this acclaimed masterpiece from celebrated filmmaker Hong Sangsoo.
PARASITE
PARASITE
A film of brilliant, nocturnal beauty from renowned painter and artist Wilhem Sasnal, and his wife, Anka Sasnal.
FIREWORKS WEDNESDAY
FIREWORKS WEDNESDAY
A story of marital intrigue and betrayal set against the backdrop of the Persian New Year from the Academy Award winning director of A Separation.