Straub-Huillet's heralded feature debut eschews conventional form and storytelling to chart the origins and legacy of Nazism, as well as the moral demands of obedience and sacrifice within the German bourgeois family, in this vigorous adaptation of Heinrich Böll’s novel.
In one of their most sublime and acclaimed films, Straub-Huillet attempt to capture Bach’s ineffable artistry — based on recitations of Anna Magdalena’s intimate, yet fictionalized, letters to her husband, as well as performances in the very rooms and churches where Bach composed and conducted them.
A faithful adaptation of Pierre Corneille’s Othon, the classic tragedy that premiered at the court of Louis XIV at Fontainebleau in 1664 and today is more hallowed than actually performed, Eyes do not want to close… depicts the power vacuum that followed Emperor Nero’s death.
This complex interpretation of Brecht’s unfinished novel The Business Affairs of Mr. Julius Caesar explores history as it has been written by the victors, with their hero worship of tyrannical leaders (whether Caesar or Hitler), and offers an alternate view of history writing as fractured and potentially revolutionary.
One of Straub-Huillet's major films, this adaptation of Schoenberg’s unfinished opera is a thrilling and rigorous consideration of Biblical and archaeological history; set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.
Returning from the forest of shades, a quietly defiant Orpheus tells a Bacchante it was free will, not destiny, which compelled him to cast the fatal gaze on his wife Eurydice, recognizing their love as a thing of the past and his own place in the world of living souls.
Another film based on Straub’s memories of growing up in Metz and a work by Maurice Barrès, in which a young country doctor, the son of a French Alsatian bourgeois, is forced to choose between “the French soul and the German deed."
A film about ghosts and madness that is itself a kind of ghost, this short from master Bertrand Bonello (Nocturama, Saint Laurent) tells the story of Sarah Winchester, heiress to the Winchester rifle fortune who was driven to insanity by unseen forces.
The newest work to emerge from Harvard’s groundbreaking Sensory Ethnography Lab, Joana Pimenta’s An Aviation Field is a mesmerizing short film, a ghost story about buried cities, lost civilizations and Western colonialism.
Referencing the digital display of electric appliances after the power’s been repeatedly cut off, Isiah Medina’s audacious experimental work – one of the most acclaimed in recent years – is a personal meditation on family, friendship and the experience of living in poverty.
One of the year’s most bracingly original debuts, The Human Surge is a global journey that jumps from Argentina to the Philippines to Mozambique, a road movie that fuses fiction and documentary for a portrait of today’s youth at a time of economic uncertainty and illusory hyper-connection.
Using found snapshots, diary entries and 16mm Chinese melodramas, filmmaker Jason Byrne resurrects the ghosts of a decommissioned cargo ship - once used to carry coal along the Yangtze - as it crosses the Indian Ocean to be salvaged for scrap.
Winner of the Critics Week Grand Prize at the Cannes Film Festival, Oliver Laxe’s stunning new film, Mimosas, is a breathtakingly-shot Western that follows a mysterious caravan transporting a dying sheikh into the Moroccan Atlas Mountains.
Filmmaker Deborah Stratman recounts eleven episodes in American history — from the violent eviction of the Cherokee to the invention of the nuclear reactor to the murder of Black Panther leader Fred Hampton — to consider how societies are shaped by belief and ideology.
One of the most influential artists of the 20th century, a documentary about Robert Frank, the legendary photographer and filmmaker behind the seminal book “The Americans” and landmark films like Pull My Daisy.