Immigration

Immigration

MORE THAN I WANT TO REMEMBER
MORE THAN I WANT TO REMEMBER
One night at her home in southeastern Congo, 14-year-old Mugeni awakes to the sounds of bombs. As her family scatters to the surrounding forests to save themselves, Mugeni finds herself completely alone. From there, she sets out on a remarkable solo journey across the globe, determined to reunite with her lost loved ones and lift up the Banyamulenge people.
RESOURCES
RESOURCES
The meat industry is booming in Canada, where huge factories use standardized production methods to convert vast herds of livestock into meat. They hire asylum seekers, mainly from Latin America, so they can continue to produce at competitive rates. This observational film splits its focus between the workers and the animals, considering the living conditions of both, while providing a subtle yet critical look at a world driven by capitalism and the links in the chain that make this possible.
FRUITS OF LABOR
FRUITS OF LABOR
A Mexican-American teenage farmworker dreams of graduating high school, when ICE raids in her community threaten to separate her family and force her to become her family's breadwinner. Fruits of Labor is a lyrical, coming-of-age documentary feature about adolescence, nature and how ancestors paved the way. Director Emily Cohen Ibáñez documents life guided by the spirit world through her hardships and joys in modern America.
HAMTRAMCK, USA
HAMTRAMCK, USA
An incisive documentary exploring life and democracy in America's first Muslim majority city. The film follows Kamal Rahman, a Bangladeshi candidate for Mayor, Fadel al-Marsoumi, a 23 year old Iraqi immigrant for City Council, and the current mayor, Karen Majewski, Hamtramck’s first female mayor. Through the exploration of the city's rich history and this heated election, Hamtramck, USA wrestles with identity politics, power dynamics, and the immigrant experience in America.
A SHAPE OF THINGS TO COME
A SHAPE OF THINGS TO COME
Sundog lives out in the Sonora Desert on the Mexican border. He is an elderly gentleman, who lives off anything that the brutal nature gives him, be it a wild boar or the psychedelic poison of a toad. With the desert as the ultimate existential (and cinematic) setting, A Shape of Things to Come from directors Lisa Marie Malloy and J.P. Sniadecki shows the relationship between humanity and nature at a critical time, when civil disobedience is the provocative answer to the most pressing questions.
VITALINA VARELA
VITALINA VARELA
Winner of the Golden Leopard for Best Film and Best Actress at the Locarno Film Festival, Vitalina Varela is the masterful new film from acclaimed director Pedro Costa. A work of deeply concentrated beauty, it stars nonprofessional actor Vitalina Varela in a remarkable performance (based on her life), as a Cape Verdean woman who hopes to reunite with her husband after decades of separation due to economic circumstance, only to arrive in a strange land mere days after his funeral.
BISBEE '17
BISBEE '17
Named the best film of the year by The New York Times, Robert Greene’s extraordinary Bisbee ‘17 radically combines collaborative documentary, western, and musical elements to recreate a mass deportation of striking miners (mostly Mexican and Eastern European immigrants) that occurred in 1917. Greene confronts issues of immigration, unionization and environmental damage while linking a tragic moment in American history to our own turbulent times.
ERIE
ERIE
In this landmark documentary, celebrated filmmaker Kevin Jerome Everson presents a series of single-take, black-and-white sequences filmed in and around Lake Erie to draw a profound connection between Black migration from the South to the North and the economic hardships currently facing working class communities.
IN EXILE
IN EXILE
Forced to flee his country after filming politically sensitive events such as the Saffron Revolution, a Myanmar filmmaker finds himself a refugee amongst refugees in Thailand, where he discovers the plight of fellow migrants working under slavery-like conditions.
THE 100 YEARS SHOW
THE 100 YEARS SHOW
From Alison Klayman, director of The Brink and Ai Weiwei: Never Sorry, the remarkable story of Cuban-American artist Carmen Herrera, a pioneering abstract painter in the '40s and '50s who only found recognition as she approached her 100th birthday.
IN THE GAME
IN THE GAME
The struggles of a girls soccer team in a mostly hispanic, inner city neighborhood reveals the obstacles that low-income students face in their quest for higher education.