MAINTENANCE ARTIST
After becoming a mother disrupted her career as an artist, Mierle Laderman Ukeles published a daring manifesto: from now on, all her acts of childcare and household maintenance would be performance art. The Manifesto propelled Ukeles into the 1960’s avant-garde, a largely male scene that prized the solitary creator but scorned those who “keep the dust off the pure individual creation.”
Recognizing that this devaluation of care was systemic, Ukeles began scaling up her maintenance revolution to include collaborations with the often invisible cleaners and guards who care for museums — poking at the concealed hierarchies embedded in the white cube space. In 1977, in a move that would radically reframe public art, Ukeles was invited to establish an unprecedented artist-in-residency at the NYC Sanitation Department, where she championed a demeaned but essential class of workers within a vast urban system.
Set during the impassioned social and artistic upheavals of the late 20th century and using newly digitized archival footage, Maintenance Artist is the story of an artist who raised maintenance to an art form and became a force in contemporary art.
Recognizing that this devaluation of care was systemic, Ukeles began scaling up her maintenance revolution to include collaborations with the often invisible cleaners and guards who care for museums — poking at the concealed hierarchies embedded in the white cube space. In 1977, in a move that would radically reframe public art, Ukeles was invited to establish an unprecedented artist-in-residency at the NYC Sanitation Department, where she championed a demeaned but essential class of workers within a vast urban system.
Set during the impassioned social and artistic upheavals of the late 20th century and using newly digitized archival footage, Maintenance Artist is the story of an artist who raised maintenance to an art form and became a force in contemporary art.
































































