Feature Films

Feature Films

THE STRANGE MISTER VICTOR
THE STRANGE MISTER VICTOR
Setting its scene in the rowdy, wide-open port city of Toulon, Grémillon’s acclaimed drama stars legendary actor Raimu (“The greatest actor who ever lived.” - Orson Welles) as a well-respected shopkeeper who, unbeknownst to his neighbors, is running a front for a ruthless criminal gang. "Gremillon’s films are among the most innovative and expressive… and in many ways they look ahead to the rule breaking of the French New Wave." - The New York Times.  New 4K Restoration
GUEULE D'MOUR (LADY KILLER)
GUEULE D'MOUR (LADY KILLER)
The first collaboration between filmmaker Jean Grémillon and legendary actor Jean Gabin, this adaptation of a novel by André Boucler features the young Gabin as a foreign-legion Casanova – the “lady killer” of the title – who meets his match in the mysterious seductress Madeleine. "Not every rarity is a revelation, but Lady Killer strikes me as the real deal." The New YorkerNew 4K Restoration
PACIFICTION
PACIFICTION
Named the Best Film of the Year by Cahiers du Cinema, and acclaimed by numerous publications, Pacifiction is a mesmerizing feature from filmmaker Albert Serra that follows a French bureaucrat (Benoit Magimel in an extraordinary performance) drifting through a fateful trip to a French Polynesian island. "One of the most beautiful and rigorously introspective movies of this or any year, a film that makes you deeply ponder the fate of humanity itself."(IndieWire)
DRY GROUND BURNING
DRY GROUND BURNING
An electrifying portrait of Brazil’s dystopian contemporary moment that blends documentary with narrative fiction and genre elements, Dry Ground Burning presents a daring vision of the country’s possible future. The film is set in the Sol Nascente favela in Brasilia, where fearsome outlaw Chitara leads an all-female gang that siphons and steals precious oil from the authoritarian, militarized government, while her sister, Léa, recently released from prison, is brought into the criminal enterprise.
O SANGUE (BLOOD)
O SANGUE (BLOOD)
Admirers of Pedro Costa’s more recent work are often thrown for a thrilling loop by the glossy, liquid textures and lush atmospherics of the director’s first feature, a beguiling fairytale about the trials undergone by two brothers in the wake of their father’s violent death. “O Sangue,” Costa said in an interview, “was also the beginning of my love—maybe love is the wrong word—for domestic cinema. A kind of cinema that shows how people live.”
IL BUCO
IL BUCO
During the economic boom of the 1960s, Europe's highest building is being built in Italy’s prosperous North. At the other end of the country, young speleologists explore Europe’s deepest cave in the untouched Calabrian hinterland. A work of immense and mystical beauty from the visionary director of Le Quattro Volte, Michelangelo Frammartino’s Il Buco chronicles a visit through unknown depths of life and nature and parallels two great voyages to the interior.
KEANE
KEANE
NEW 4K RESTORATION. It has been six months since William Keane's daughter was abducted from NYC’s Port Authority Bus Terminal. Repeatedly drawn to the site of the abduction, Keane wanders the bus station, compulsively replaying those events. One day, he meets a financially strapped woman, Lynn, and her young daughter, Kira. Lodge Kerrigan's Keane stars Damian Lewis and is executive produced by Steven Soderbergh.
INTREGALDE
INTREGALDE
A trio of well-meaning aid workers from Bucharest are on a food delivery mission to the rural hinterlands of Transylvania. Guided off the beaten path by an elderly villager, they find themselves trapped in an unfamiliar, dangerous place and facing the outer limits of their goodwill. A gripping tale of best intentions gone wrong from leading Romanian filmmaker Radu Muntean (Tuesday, After Christmas) Intregalde subverts conventions of both horror films and social realist dramas.
FEATHERS
FEATHERS
When a magic trick goes awry at a children’s birthday party, the authoritative father of the family is suddenly turned into a chicken. Winner of the Critic's Week Grand Prize at Cannes, Feathers has been hailed as "a hidden gem, a comedic drama about a woman forced to deal with the aftermath of a magic trick gone awry that uses the surreal to peck away at deeper truths.” (Hollywood Reporter)

REHANA
REHANA
Rehana, an assistant professor at a medical college, struggles to keep the harmony between work and family, as she has to play all the complex roles of a teacher, doctor, sister, daughter, and mother. One night she finds herself in a difficult position after witnessing a sexual assault where she knows both the victim and the perpetrator. An official selection of the Cannes Film Festival. 
FRIENDS AND STRANGERS
FRIENDS AND STRANGERS
Part absurdist comedy, part deep-seated satire of contemporary Australia as experienced by the young and affluent, Friends and Strangers follows twenty-somethings Ray and Alice as they navigate a series of increasingly awkward and comedic situations, from limp romantic encounters to bungled opportunities for professional growth.
LOS CONDUCTOS
LOS CONDUCTOS
Medellin, Colombia. Pinky is on the run. He has just freed himself from the grip of a religious sect. He finds a place to squat and a job in a t-shirt factory. Misled by his own faith, he questions everything. But as he tries to put back together the pieces of his broken life, violent memories return to haunt him, and ask for Revenge. Winner of the Best First Feature prize at the 2020 Berlin Film Festival.
THE MAD SONGS OF FERNANDA HUSSEIN
THE MAD SONGS OF FERNANDA HUSSEIN
Shot over a period of six years on a minuscule budget and with a cast of nonprofessional actors, The Mad Songs of Fernanda Hussein revisits the experience of the Gulf War through a reverse lens, focusing on the war's reverberations in America. Weaving three fictional stories alongside documentary footage, interviews and a singular concert performance, creates a multi-layered text that examines the lasting ramifications of the war on three characters in New Mexico.
THE POWER OF KANGWON PROVINCE
THE POWER OF KANGWON PROVINCE
Presented in a beautiful restoration and newly translated, Hong Sangsoo’s breakthrough second feature is an early masterwork from the prolific filmmaker. Playing with structure, perspective and time – elements that would become hallmarks of his later work – the film follows a young woman, Jisook, who, fresh off her relationship with a married man, joins two girlfriends for a vacation in the mountainous Kangwon region and quickly makes the same mistakes.
VIRGIN STRIPPED BARE BY HER BACHELORS
VIRGIN STRIPPED BARE BY HER BACHELORS
Award winning director Hong SangSoo dishes up a fresh take on modern courtship. When filmmaker Young-soo introduces his wealthy gallery owner friend Jae-hoon to another friend, the female television writer Soo-jung, the table is set for a complicated triangular relationship. 
RED POST ON ESCHER STREET
RED POST ON ESCHER STREET
When filmmaker Tadashi Kobayashi begins to hold open auditions for a new studio-sponsored film, a wave of experienced and aspiring actors scramble to apply, yearning for a chance to work with the genius director. Recalling the spirit of Irma Vep and Day For Night,  this singular film from legendary director Sion Sono (whose latest film, Prisoners of the Ghostland, starring Nicolas Cage is currently in theaters) is a bitingly funny paean to the creative spirit.


THE INHERITANCE
THE INHERITANCE
Pennsylvania-born filmmaker Ephraim Asili has been exploring different facets of the African diaspora—and his own place within it—for nearly a decade. His feature-length debut, The Inheritance, is a vibrant, engaging ensemble work, a re-enactment of his own experience, that takes place almost entirely within the walls of a West Philadelphia house where a community of young people have come together to form a collective of Black artists and activists. 
THE WORKS AND DAYS
THE WORKS AND DAYS
“An utterly confident, magisterial effort that will stand the test of time [and] a salute to the possibilities provided by cinema, a celebration of life.” (Cinema Scope), The Works and Days is an eight-hour feature shot for a total of 27 weeks, over a period of 14 months, in a village of 47 inhabitants in the mountains of Kyoto Prefecture, Japan. It is a geographic description of the work and non-work of a farmer. A portrait, over five seasons, of a family. It is a film that takes the time to spend time and hear people out.
DAYS
DAYS
Helmed by Tsai Ming-liang, Days is a Drama that doesn't mince words. Minimalist and slowly paced, the film features little dialogue. Under the pain of illness and treatment, Kang (Lee Kang-sheng) finds himself adrift. He meets Non (Anong Houngheuangsy) in a foreign land. They find consolation in each other before parting ways and carrying on with their days.
ATLANTIS
ATLANTIS
A prize-winner at the Venice Film Festival and Ukraine’s official submission for the 93rd Academy Awards, Atlantis is a gorgeous and visionary sci-fi drama. In 2025, Eastern Ukraine is a desert unsuitable for human habitation, water a dear commodity brought by trucks. Sergiy, a former soldier, meets Katya while she’s on a humanitarian mission. Together, they try to return to some sort of normal life in which they are also allowed to fall in love again.
SLOW MACHINE
SLOW MACHINE
After her relationship with NYPD intelligence agent Gerard ends terribly, tired and disillusioned actress Stephanie hides in a house where a band is working on a record, which proves to be less of an escape than she imagined. Deftly lensed in 16mm and unfurling as a digressive, tantalizingly off-kilter mystery, Slow Machine is a fascinating work pitched at the intersection of American independent cinema and the avant-garde theater of Richard Foreman and the Wooster Group.
EXTRAORDINARY STORIES
EXTRAORDINARY STORIES
Imbued with the spirit of Robert Louis Stevenson and filtered through the sensibilities of Jorge Luis Borges and Thomas Pynchon, three unconnected, voiceover-narrated tales each start off innocently enough and then veer into ever stranger, more fascinating realms. In this adventurous feature from the director of La Flor, secret identities, missing persons, lost treasures, exotic beasts and desperate criminals are only a few of the elements woven into a grand tapestry of mysteries.
SOMETHING, ANYTHING
SOMETHING, ANYTHING
From award-winning filmmaker Paul Harrill (Light From Light) Something, Anything is both a meditative character study and an unconventional romance. When a tragedy shatters her plans for domestic bliss, a seemingly typical Southern newlywed gradually transforms into a spiritual seeker, quietly threatening the closest relationships around her.
THE MOUTH OF THE WOLF
THE MOUTH OF THE WOLF
This haunting documentary from acclaimed filmmaker Pietro Marcello, director of Martin Eden and Lost and Beautiful is a sui generis love story, following the 20-year relationship between a Sicilian heavy named Vincenzo and a trans convict named Mary after their meet-cute in prison. But Marcello isn’t merely content to render their romance in all its love and complexity: The Mouth of the Wolf is also a lyrical, sensuous, and melancholy tribute to the port city of Genoa, capturing its singular aura and its intoxicating air of eternity. 
FRANCISCA
FRANCISCA
Based on Agustina Bessa-Luís’ acclaimed novel, itself inspired by a true story that occurred in the 19th century, Manoel de Oliveira's Francisca recounts the life of a young man, a son of an English officer, who lets himself become a prisoner of love resulting in fatalism and disgrace. With its gorgeous cinematography, gloomy interiors, and show-stopping gala set-pieces, Francisca (The Strange Case of Angelica, I'm Going Home) is one of the legendary director’s crowning achievements.


CHANGE OF LIFE
CHANGE OF LIFE
Paulo Rocha’s haunting second feature, Change of Life, is a beautifully-told story of a young man who returns from abroad to his small fishing village to discover that much has changed. Inspired by his work with Manoel de Oliveira, Rocha “cast” the local villagers as themselves, interspersed with experienced actors led by the great Isabel Ruth. The film was a critical and commercial success upon release, though it would effectively be the last film Rocha made for nearly two decades.
THE GREEN YEARS
THE GREEN YEARS
Never before released in the US, Paulo Rocha’s debut feature The Green Years, gloriously shot in black and white, is an extraordinary and haunting coming-of-age tale. Nineteen-year-old Julio heads to Lisbon from the provinces and gets a job as a shoemaker for his uncle Raul. But when he meets Ilda, a confident young housemaid who becomes a regular shop visitor, the two begin a tentative romance until the realities of the outside world come crashing through.
FOURTEEN
FOURTEEN
In this critically-acclaimed film, director Dan Sallitt charts a friendship between two young women. Mara and Jo, in their twenties, have been close friends since middle school. It soon becomes apparent that Jo, despite her intellectual gifts, is unreliable in her professional life, losing and acquiring jobs at a troubling rate. Substance abuse may be responsible for Jo’s instability… but some observers suspect a deeper problem. 
ALL THE SHIPS AT SEA
ALL THE SHIPS AT SEA
Evelyn Bell, a Catholic professor of theology, and her younger sister Virginia are reunited after many years when Virginia returns home in a depression after being ejected from a religious cult. At a lakeside retreat in Northeastern Pennsylvania, the sisters try to reestablish their relationship, talking about their very different systems of belief, and about the oppressive childhood that still hangs over them. From filmmaker Dan Sallitt.
HONEYMOON
HONEYMOON
Mimi and Michael, in their thirties, marry suddenly after years of friendship and go on their honeymoon without having had a physical relationship. The honeymoon turns into a nightmare of sexual failure and conflict, fueled by Mimi's anxiety. With the marriage hanging by a thread, the couple try to resolve their problems against all odds. From filmmaker Dan Sallitt.
WOMAN ON THE BEACH
WOMAN ON THE BEACH
Filmmaker Joong-rae, suffering from writer’s block, takes a trip to the coast with his production designer Chang-wook, who brings along the vivacious Moon-sook. Soon after their arrival, Moon-sook falls for Joong-rae’s advances; however, the fickle hero can’t commit and he awkwardly parts with her. What had been a sardonic Jules and Jim turns into a burlesque Vertigo when Joong-rae returns to the coastal resort and attempts to recreate the original romance with a woman who resembles Moon-sook, until his jilted lover shows up…
HILL OF FREEDOM
HILL OF FREEDOM
Shot in the narrow alleys, petite cafes and beautiful hanok inns of Seoul’s historic Jong-ro district, a favorite Hong location, Hill of Freedom is a masterful, alternately funny and haunting, tale of love and longing from the great director. Kwon (Seo Young-hwa) returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori (Ryo Kase, Like Someone In Love), who has come back from Japan to propose to her. As she walks down a flight of stairs, Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology… and so must we. 
BUNGALOW
BUNGALOW
A major work of the celebrated Berlin School, the debut of Ulrich Köhler (In My Room) is a mesmerizing portrait of a young German soldier named Paul who goes AWOL and returns to his childhood home in the countryside. With Köhler’s penchant for deadpan humor and subtle performances, Bungalow becomes a quiet mockery of militarism, familial estrangement, and youthful ennui. New 4K Restoration.
PAJU
PAJU
“A masterpiece. With this film, Park Chan-ok revealed herself as one of Korean cinema’s smartest and most stylish talents. Complex and enigmatic.” (The Guardian) Delicately unveiled through an anachronistic period of eight years, director Park Chan-Ok (Jealousy is My Middle Name) leaves no controversial stone unturned by exploring the dialectical forces at work within of a community that simultaneously resists and accepts change.
WILCOX
WILCOX
A man goes into the woods alone. We know nothing about him, apart from his military-style attire with a nametag indicating he might be called Wilcox. Is he a traumatized veteran, a survivalist, a desperate man or even a philosopher-hermit? A documentary style fictional film, a minimalist adventure yarn haunted by reality, Wilcox, from award-winning filmmaker Denis Cote, is both simple and mysterious, a non-judgmental perspective on people who decide to remove themselves from the world.
VITALINA VARELA
VITALINA VARELA
Winner of the Golden Leopard for Best Film and Best Actress at the Locarno Film Festival, Vitalina Varela is the masterful new film from acclaimed director Pedro Costa. A work of deeply concentrated beauty, it stars nonprofessional actor Vitalina Varela in a remarkable performance (based on her life), as a Cape Verdean woman who hopes to reunite with her husband after decades of separation due to economic circumstance, only to arrive in a strange land mere days after his funeral.
LA FLOR
LA FLOR
A decade in the making, filmed around the world, and featuring the same four remarkable actresses in six episodes (each a different genre), Mariano Llinás’ landmark 14-hour feature film La Flor is an unrepeatable labor of love and madness that redefines the concept of binge viewing; a wildly entertaining exploration of the possibilities of fiction and storytelling. A must-see.


THE LOAD
THE LOAD
During NATO’s bombing of Serbia in 1999, a truck driver is hired to undertake a treacherous journey across his war-torn country to deliver mysterious cargo. Brilliantly photographed and overwhelmingly atmospheric - recalling Clouzot's The Wages of Fear and Friedkin's SorcererThe Load is a taut suspense thriller about the choices we make in difficult times.
LIFE AND NOTHING MORE
LIFE AND NOTHING MORE
Winner of the Independent Spirit John Cassavetes Award, Antonio Méndez Esparza's (Aquí y allá) powerful second feature presents another sensitive portrait of a struggling family - a single mother raising her two children when her 14-year-old son has a brush with the law. Life and Nothing More employs documentary-style realism in this snapshot of race, class and the bonds of family in contemporary America.
A BREAD FACTORY
A BREAD FACTORY
Hailed as "a major new work by a singular American artist" by The New York Times, A Bread Factory is the latest feature from acclaimed filmmaker Patrick Wang (The Grief of Others, In The Family), a wondrous, inventive and outright dazzling film about a community arts center, aptly named the Bread Factory, in a small upstate town that appears to be at the center of some major social and cultural changes.
THE GRIEF OF OTHERS
THE GRIEF OF OTHERS
At once literary and gently cinematic, Patrick Wang's (A Bread Factory, In The Family) second feature is based on Leah Hager Cohen’s critically acclaimed novel. After suffering a tragic loss, a family welcomes an unexpected visitor into their lives and find themselves growing more alert to the hurt, humor, warmth, and grief of others.
IN THE FAMILY
IN THE FAMILY
The Independent Spirit Award-nominated debut of acclaimed filmmaker Patrick Wang (A Bread Factory, The Grief of Others), In The Family is a heartfelt story woven around child custody, two-Dad families, loss, interracial relations, the American South, and the nature of what it means to be in a family, all explored with ambitious and rewarding nuance.
LIGHT FROM LIGHT
LIGHT FROM LIGHT
Gifted with sometimes-prophetic dreams, Sheila (Marin Ireland) is asked to investigate a potential haunting. It’s there she meets Richard (Jim Gaffigan), a recent widower who believes his wife may still be with him. Beautifully shot in rural East Tennessee, Paul Harrill's acclaimed feature avoids jump-scare clichés of the ghost story in favor of a nuanced character study that focuses on buried traumas and unspoken emotions. 
ASAKO I & II
ASAKO I & II
From the Academy Award nominated director of DRIVE MY CAR. A truly original Vertigo riff, based on a novel by Tomoka Shibasaki, Asako I & II is a mysterious and intoxicating pop romance. Ryusuke Hamaguchi's beguiling film traces the trajectory of a love—or, to be accurate, two loves—found, lost, displaced, and regained.
IN MY ROOM
IN MY ROOM
Sometimes the end of the word can be a new beginning. In this boldly original take on the last man on earth genre, filmmaker Ulrich Kohler – part of the acclaimed Berlin School, a loosely defined group that includes Christian Petzold and Maren Ade – tells the story of a man adrift who awakens one morning to discover that seemingly all of humanity has disappeared.
STREETSCAPES [DIALOGUE]
STREETSCAPES [DIALOGUE]
A director speaks at length to a psychoanalyst, confiding his obsessions, fears, ideas about cinema, and creative blocks. Based on his own six-day psychoanalytic treatment with trauma specialist Zohar Rubinstein, Heinz Emigholz’s latest masterwork is a demonstration of his singular working methods, and a playful, moving treatise on trauma and architecture.
NOTES ON AN APPEARANCE
NOTES ON AN APPEARANCE
A young man disappears while working on a biography of an enigmatic and controversial political theorist in Ricky D'Ambrose's extraordinary debut film. Set inside New York City apartments, subway stations, bookstores and cafés, Notes has been hailed as "an anti-mystery in the tradition of L’Avventura assembled with the cool reserve of Robert Bresson." (Village Voice)
COCOTE
COCOTE
Questions of faith, tradition and honor course through de Los Santos Arias’ rapturous crime fable. Set in the Dominican Republic, Cocote follows a kind-hearted gardener, an Evangelical Christian, who has returned home to take part in traditional mourning rituals for his father's death, only to discover that he is expected to commit an unthinkable act.
ARABY
ARABY
A fable-like road movie, Araby is a beautifully written and photographed story about a young boy who discovers an old notebook and is soon swept up in the writer's wanderings, adventures and loves; a twenty-year journey across the Brazilian countryside in search of a better life.
MILLA
MILLA
In a delicate, even generous manner, Milla begins as a story of two young lovers’ life on the fringes before shifting towards one of recent cinema’s finest depictions of motherhood. Valerie Massadian's poetic, startling vision recalls the work of filmmakers like Barbara Loden or Chantal Akerman but remains wholly and fiercely original.
ALL THE CITIES OF THE NORTH
ALL THE CITIES OF THE NORTH
Charting the languorous, mysterious existence of two men who seem to share a deep, liminal understanding beyond words, until a third man enters their secluded space, Dane Komljen's debut feature, All the Cities of the North, is a radically open-ended but ravishingly beautiful work that’s animated by rhythms and ideas entirely its own.
CHRONICLE OF ANNA MAGDALENA BACH
CHRONICLE OF ANNA MAGDALENA BACH
Using letters Anna Magdalena Bach wrote to her husband, Johann Sebastian, filmmakers Jean-Marie Straub and Danièle Huillet created one of the most precise, rewarding biopics ever put to screen. On the occasion of its 50th anniversary, this masterpiece has been immaculately restored.
EYES DO NOT WANT TO CLOSE AT ALL TIMES
EYES DO NOT WANT TO CLOSE AT ALL TIMES
A faithful adaptation of Pierre Corneille’s Othon, the classic tragedy that premiered at the court of Louis XIV at Fontainebleau in 1664 and today is more hallowed than actually performed, Eyes do not want to close… depicts the power vacuum that followed Emperor Nero’s death.
HISTORY LESSONS
HISTORY LESSONS
This complex interpretation of Brecht’s unfinished novel The Business Affairs of Mr. Julius Caesar explores history as it has been written by the victors, with their hero worship of tyrannical leaders (whether Caesar or Hitler), and offers an alternate view of history writing as fractured and potentially revolutionary.
MOSES AND AARON
MOSES AND AARON
One of Straub-Huillet's major films, this adaptation of Schoenberg’s unfinished opera is a thrilling and rigorous consideration of Biblical and archaeological history; set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.
SICILIA!
SICILIA!
Something as simple as a herring roasting on a hearth, or a meal of bread, wine and winter melon, takes on the humble aura of a Caravaggio painting in Straub-Huillet's masterful tragicomedy about Sicilians who are poor of means but rich in spirit. “A passionate and wide-ranging masterwork by Straub and Huillet." (The New Yorker). New 20th anniversary digital restoration. 
COMMUNISTS
COMMUNISTS
Six scenes concerning resistance to “forms of domination and violence of man on man,” including Communist prisoners who face down their Fascist interrogators during World War II and Egyptian workers and peasants who revolt against their colonial exploiters in 1919.
NOCTURAMA
NOCTURAMA
A terrorism thriller like no other, recalling Robert Bresson’s The Devil, Probably as much as it does George A. Romero’s Dawn of the Dead, the acclaimed new film from Bertrand Bonello (Saint Laurent) is one of the 21st century’s most provocative and stirring cinematic experiences.
THE HUMAN SURGE
THE HUMAN SURGE
One of the year’s most bracingly original debuts, The Human Surge is a global journey that jumps from Argentina to the Philippines to Mozambique, a road movie that fuses fiction and documentary for a portrait of today’s youth at a time of economic uncertainty and illusory hyper-connection.
MIMOSAS
MIMOSAS
Winner of the Critics Week Grand Prize at the Cannes Film Festival, Oliver Laxe’s stunning new film, Mimosas, is a breathtakingly-shot Western that follows a mysterious caravan transporting a dying sheikh into the Moroccan Atlas Mountains.
LOST AND BEAUTIFUL
LOST AND BEAUTIFUL
Conceived as a documentary, director Pietro Marcello (Martin Eden) had to change course when his lead, a humble shepherd turned local hero, passed away during production. The resulting film is a beautiful and fantastical ode to his memory and their beloved country.
FROM WHAT IS BEFORE
FROM WHAT IS BEFORE
Lav Diaz' follow up to his acclaimed Norte, the End of History, is an extraordinary epic examining the conditions that led to the rise of the Marcos regime in 1970s Philippines.
FORT BUCHANAN
FORT BUCHANAN
A bracingly original debut, filmmaker Benjamin Crotty uses the tragicomic plight of a frail young man stranded at a military outpost amid a lascivious band of army wives to craft a queer soap opera for the ages.
THE ACADEMY OF MUSES
THE ACADEMY OF MUSES
A university professor espouses the role of muses in art and literature as a means of romancing his students in this breathtaking new film from the acclaimed director of In the City of Sylvia.
KAILI BLUES
KAILI BLUES
A stunning, dreamlike debut, a country doctor's search for an abandoned child takes him to a mysterious place where past, present and future become one.
CASA DE LAVA
CASA DE LAVA
In only his second feature, Portuguese filmmaker Pedro Costa (Horse Money) brilliantly reworked Jacques Tourneur's classic I Walked with a Zombie into a reflection on his country’s colonial legacy. Never before released in the U.S. and now beautifully restored.
RIGHT NOW WRONG THEN
RIGHT NOW WRONG THEN
A film director falls for a young painter - twice - in this acclaimed masterpiece from celebrated filmmaker Hong Sangsoo.
PARASITE
PARASITE
A film of brilliant, nocturnal beauty from renowned painter and artist Wilhem Sasnal, and his wife, Anka Sasnal.
FIREWORKS WEDNESDAY
FIREWORKS WEDNESDAY
A story of marital intrigue and betrayal set against the backdrop of the Persian New Year from the Academy Award winning director of A Separation.