Feature Films

Feature Films

ATLANTIS
ATLANTIS
In the near future in Ukraine, former soldier Sergey tries to recover from the trauma of war. When the foundry where he works closes down, he volunteers for Black Tulip, an organisation that recovers the bodies of fallen soldiers. This brings him into contact with archaeologist Katya, who is literally and metaphorically digging up the consequences of her own history.
THE MOUTH OF THE WOLF
THE MOUTH OF THE WOLF
This haunting documentary from acclaimed filmmaker Pietro Marcello, director of Martin Eden and Lost and Beautiful is a sui generis love story, following the 20-year relationship between a Sicilian heavy named Vincenzo and a trans convict named Mary after their meet-cute in prison. But Marcello isn’t merely content to render their romance in all its love and complexity: The Mouth of the Wolf is also a lyrical, sensuous, and melancholy tribute to the port city of Genoa, capturing its singular aura and its intoxicating air of eternity. 
FRANCISCA
FRANCISCA
Based on Agustina Bessa-Luís’ acclaimed novel, itself inspired by a true story that occurred in the 19th century, Manoel de Oliveira's Francisca recounts the life of a young man, a son of an English officer, who lets himself become a prisoner of love resulting in fatalism and disgrace. With its gorgeous cinematography, gloomy interiors, and show-stopping gala set-pieces, Francisca (The Strange Case of Angelica, I'm Going Home) is one of the legendary director’s crowning achievements.


CHANGE OF LIFE
CHANGE OF LIFE
Paulo Rocha’s haunting second feature, Change of Life, is a beautifully-told story of a young man who returns from abroad to his small fishing village to discover that much has changed. Inspired by his work with Manoel de Oliveira, Rocha “cast” the local villagers as themselves, interspersed with experienced actors led by the great Isabel Ruth. The film was a critical and commercial success upon release, though it would effectively be the last film Rocha made for nearly two decades.
THE GREEN YEARS
THE GREEN YEARS
Never before released in the US, Paulo Rocha’s debut feature The Green Years, gloriously shot in black and white, is an extraordinary and haunting coming-of-age tale. Nineteen-year-old Julio heads to Lisbon from the provinces and gets a job as a shoemaker for his uncle Raul. But when he meets Ilda, a confident young housemaid who becomes a regular shop visitor, the two begin a tentative romance until the realities of the outside world come crashing through.
FOURTEEN
FOURTEEN
In this critically-acclaimed film, director Dan Sallitt charts a friendship between two young women. Mara and Jo, in their twenties, have been close friends since middle school. It soon becomes apparent that Jo, despite her intellectual gifts, is unreliable in her professional life, losing and acquiring jobs at a troubling rate. Substance abuse may be responsible for Jo’s instability… but some observers suspect a deeper problem. 
ALL THE SHIPS AT SEA
ALL THE SHIPS AT SEA
Evelyn Bell, a Catholic professor of theology, and her younger sister Virginia are reunited after many years when Virginia returns home in a depression after being ejected from a religious cult. At a lakeside retreat in Northeastern Pennsylvania, the sisters try to reestablish their relationship, talking about their very different systems of belief, and about the oppressive childhood that still hangs over them. From filmmaker Dan Sallitt.
HONEYMOON
HONEYMOON
Mimi and Michael, in their thirties, marry suddenly after years of friendship and go on their honeymoon without having had a physical relationship. The honeymoon turns into a nightmare of sexual failure and conflict, fueled by Mimi's anxiety. With the marriage hanging by a thread, the couple try to resolve their problems against all odds. From filmmaker Dan Sallitt.
WOMAN ON THE BEACH
WOMAN ON THE BEACH
Filmmaker Joong-rae, suffering from writer’s block, takes a trip to the coast with his production designer Chang-wook, who brings along the vivacious Moon-sook. Soon after their arrival, Moon-sook falls for Joong-rae’s advances; however, the fickle hero can’t commit and he awkwardly parts with her. What had been a sardonic Jules and Jim turns into a burlesque Vertigo when Joong-rae returns to the coastal resort and attempts to recreate the original romance with a woman who resembles Moon-sook, until his jilted lover shows up…
HILL OF FREEDOM
HILL OF FREEDOM
Shot in the narrow alleys, petite cafes and beautiful hanok inns of Seoul’s historic Jong-ro district, a favorite Hong location, Hill of Freedom is a masterful, alternately funny and haunting, tale of love and longing from the great director. Kwon (Seo Young-hwa) returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori (Ryo Kase, Like Someone In Love), who has come back from Japan to propose to her. As she walks down a flight of stairs, Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology… and so must we. 
BUNGALOW
BUNGALOW
A major work of the celebrated Berlin School, the debut of Ulrich Köhler (In My Room) is a mesmerizing portrait of a young German soldier named Paul who goes AWOL and returns to his childhood home in the countryside. With Köhler’s penchant for deadpan humor and subtle performances, Bungalow becomes a quiet mockery of militarism, familial estrangement, and youthful ennui. New 4K Restoration.
PAJU
PAJU
“A masterpiece. With this film, Park Chan-ok revealed herself as one of Korean cinema’s smartest and most stylish talents. Complex and enigmatic.” (The Guardian) Delicately unveiled through an anachronistic period of eight years, director Park Chan-Ok (Jealousy is My Middle Name) leaves no controversial stone unturned by exploring the dialectical forces at work within of a community that simultaneously resists and accepts change.
WILCOX
WILCOX
A man goes into the woods alone. We know nothing about him, apart from his military-style attire with a nametag indicating he might be called Wilcox. Is he a traumatized veteran, a survivalist, a desperate man or even a philosopher-hermit? A documentary style fictional film, a minimalist adventure yarn haunted by reality, Wilcox, from award-winning filmmaker Denis Cote, is both simple and mysterious, a non-judgmental perspective on people who decide to remove themselves from the world.
VITALINA VARELA
VITALINA VARELA
Winner of the Golden Leopard for Best Film and Best Actress at the Locarno Film Festival, Vitalina Varela is the masterful new film from acclaimed director Pedro Costa. A work of deeply concentrated beauty, it stars nonprofessional actor Vitalina Varela in a remarkable performance (based on her life), as a Cape Verdean woman who hopes to reunite with her husband after decades of separation due to economic circumstance, only to arrive in a strange land mere days after his funeral.
LA FLOR
LA FLOR
A decade in the making, filmed around the world, and featuring the same four remarkable actresses in six episodes (each a different genre), Mariano Llinás’ landmark 14-hour feature film La Flor is an unrepeatable labor of love and madness that redefines the concept of binge viewing; a wildly entertaining exploration of the possibilities of fiction and storytelling. A must-see.


THE LOAD
THE LOAD
During NATO’s bombing of Serbia in 1999, a truck driver is hired to undertake a treacherous journey across his war-torn country to deliver mysterious cargo. Brilliantly photographed and overwhelmingly atmospheric - recalling Clouzot's The Wages of Fear and Friedkin's SorcererThe Load is a taut suspense thriller about the choices we make in difficult times.
LIFE AND NOTHING MORE
LIFE AND NOTHING MORE
Winner of the Independent Spirit John Cassavetes Award, Antonio Méndez Esparza's (Aquí y allá) powerful second feature presents another sensitive portrait of a struggling family - a single mother raising her two children when her 14-year-old son has a brush with the law. Life and Nothing More employs documentary-style realism in this snapshot of race, class and the bonds of family in contemporary America.
A BREAD FACTORY
A BREAD FACTORY
Hailed as "a major new work by a singular American artist" by The New York Times, A Bread Factory is the latest feature from acclaimed filmmaker Patrick Wang (The Grief of Others, In The Family), a wondrous, inventive and outright dazzling film about a community arts center, aptly named the Bread Factory, in a small upstate town that appears to be at the center of some major social and cultural changes.
THE GRIEF OF OTHERS
THE GRIEF OF OTHERS
At once literary and gently cinematic, Patrick Wang's (A Bread Factory, In The Family) second feature is based on Leah Hager Cohen’s critically acclaimed novel. After suffering a tragic loss, a family welcomes an unexpected visitor into their lives and find themselves growing more alert to the hurt, humor, warmth, and grief of others.
IN THE FAMILY
IN THE FAMILY
The Independent Spirit Award-nominated debut of acclaimed filmmaker Patrick Wang (A Bread Factory, The Grief of Others), In The Family is a heartfelt story woven around child custody, two-Dad families, loss, interracial relations, the American South, and the nature of what it means to be in a family, all explored with ambitious and rewarding nuance.
LIGHT FROM LIGHT
LIGHT FROM LIGHT
Gifted with sometimes-prophetic dreams, Sheila (Marin Ireland) is asked to investigate a potential haunting. It’s there she meets Richard (Jim Gaffigan), a recent widower who believes his wife may still be with him. Beautifully shot in rural East Tennessee, Paul Harrill's acclaimed feature avoids jump-scare clichés of the ghost story in favor of a nuanced character study that focuses on buried traumas and unspoken emotions. 
ASAKO I & II
ASAKO I & II
A truly original Vertigo riff, based on a novel by Tomoka Shibasaki, Asako I & II is an enchanting, unnerving paean to the notion of love as a trance state. Ryusuke Hamaguchi, who gained plenty of attention for 2015’s five-hour-plus Happy Hour, has returned with a beguiling and mysterious film that traces the trajectory of a love—or, to be accurate, two loves—found, lost, displaced, and regained.
IN MY ROOM
IN MY ROOM
Sometimes the end of the word can be a new beginning. In this boldly original take on the last man on earth genre, filmmaker Ulrich Kohler – part of the acclaimed Berlin School, a loosely defined group that includes Christian Petzold and Maren Ade – tells the story of a man adrift who awakens one morning to discover that seemingly all of humanity has disappeared.
STREETSCAPES [DIALOGUE]
STREETSCAPES [DIALOGUE]
A director speaks at length to a psychoanalyst, confiding his obsessions, fears, ideas about cinema, and creative blocks. Based on his own six-day psychoanalytic treatment with trauma specialist Zohar Rubinstein, Heinz Emigholz’s latest masterwork is a demonstration of his singular working methods, and a playful, moving treatise on trauma and architecture.
NOTES ON AN APPEARANCE
NOTES ON AN APPEARANCE
A young man disappears while working on a biography of an enigmatic and controversial political theorist in Ricky D'Ambrose's extraordinary debut film. Set inside New York City apartments, subway stations, bookstores and cafés, Notes has been hailed as "an anti-mystery in the tradition of L’Avventura assembled with the cool reserve of Robert Bresson." (Village Voice)
COCOTE
COCOTE
Questions of faith, tradition and honor course through de Los Santos Arias’ rapturous crime fable. Set in the Dominican Republic, Cocote follows a kind-hearted gardener, an Evangelical Christian, who has returned home to take part in traditional mourning rituals for his father's death, only to discover that he is expected to commit an unthinkable act.
ARABY
ARABY
A fable-like road movie, Araby is a beautifully written and photographed story about a young boy who discovers an old notebook and is soon swept up in the writer's wanderings, adventures and loves; a twenty-year journey across the Brazilian countryside in search of a better life.
MILLA
MILLA
In a delicate, even generous manner, Milla begins as a story of two young lovers’ life on the fringes before shifting towards one of recent cinema’s finest depictions of motherhood. Valerie Massadian's poetic, startling vision recalls the work of filmmakers like Barbara Loden or Chantal Akerman but remains wholly and fiercely original.
ALL THE CITIES OF THE NORTH
ALL THE CITIES OF THE NORTH
Charting the languorous, mysterious existence of two men who seem to share a deep, liminal understanding beyond words, until a third man enters their secluded space, Dane Komljen's debut feature, All the Cities of the North, is a radically open-ended but ravishingly beautiful work that’s animated by rhythms and ideas entirely its own.
CHRONICLE OF ANNA MAGDALENA BACH
CHRONICLE OF ANNA MAGDALENA BACH
Using letters Anna Magdalena Bach wrote to her husband, Johann Sebastian, filmmakers Jean-Marie Straub and Danièle Huillet created one of the most precise, rewarding biopics ever put to screen. On the occasion of its 50th anniversary, this masterpiece has been immaculately restored.
EYES DO NOT WANT TO CLOSE AT ALL TIMES
EYES DO NOT WANT TO CLOSE AT ALL TIMES
A faithful adaptation of Pierre Corneille’s Othon, the classic tragedy that premiered at the court of Louis XIV at Fontainebleau in 1664 and today is more hallowed than actually performed, Eyes do not want to close… depicts the power vacuum that followed Emperor Nero’s death.
HISTORY LESSONS
HISTORY LESSONS
This complex interpretation of Brecht’s unfinished novel The Business Affairs of Mr. Julius Caesar explores history as it has been written by the victors, with their hero worship of tyrannical leaders (whether Caesar or Hitler), and offers an alternate view of history writing as fractured and potentially revolutionary.
MOSES AND AARON
MOSES AND AARON
One of Straub-Huillet's major films, this adaptation of Schoenberg’s unfinished opera is a thrilling and rigorous consideration of Biblical and archaeological history; set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.
SICILIA!
SICILIA!
Something as simple as a herring roasting on a hearth, or a meal of bread, wine and winter melon, takes on the humble aura of a Caravaggio painting in Straub-Huillet's masterful tragicomedy about Sicilians who are poor of means but rich in spirit. “A passionate and wide-ranging masterwork by Straub and Huillet." (The New Yorker). New 20th anniversary digital restoration. 
COMMUNISTS
COMMUNISTS
Six scenes concerning resistance to “forms of domination and violence of man on man,” including Communist prisoners who face down their Fascist interrogators during World War II and Egyptian workers and peasants who revolt against their colonial exploiters in 1919.
NOCTURAMA
NOCTURAMA
A terrorism thriller like no other, recalling Robert Bresson’s The Devil, Probably as much as it does George A. Romero’s Dawn of the Dead, the acclaimed new film from Bertrand Bonello (Saint Laurent) is one of the 21st century’s most provocative and stirring cinematic experiences.
THE HUMAN SURGE
THE HUMAN SURGE
One of the year’s most bracingly original debuts, The Human Surge is a global journey that jumps from Argentina to the Philippines to Mozambique, a road movie that fuses fiction and documentary for a portrait of today’s youth at a time of economic uncertainty and illusory hyper-connection.
MIMOSAS
MIMOSAS
Winner of the Critics Week Grand Prize at the Cannes Film Festival, Oliver Laxe’s stunning new film, Mimosas, is a breathtakingly-shot Western that follows a mysterious caravan transporting a dying sheikh into the Moroccan Atlas Mountains.
LOST AND BEAUTIFUL
LOST AND BEAUTIFUL
Conceived as a documentary, director Pietro Marcello (Martin Eden) had to change course when his lead, a humble shepherd turned local hero, passed away during production. The resulting film is a beautiful and fantastical ode to his memory and their beloved country.
FROM WHAT IS BEFORE
FROM WHAT IS BEFORE
Lav Diaz' follow up to his acclaimed Norte, the End of History, is an extraordinary epic examining the conditions that led to the rise of the Marcos regime in 1970s Philippines.
FORT BUCHANAN
FORT BUCHANAN
A bracingly original debut, filmmaker Benjamin Crotty uses the tragicomic plight of a frail young man stranded at a military outpost amid a lascivious band of army wives to craft a queer soap opera for the ages.
THE ACADEMY OF MUSES
THE ACADEMY OF MUSES
A university professor espouses the role of muses in art and literature as a means of romancing his students in this breathtaking new film from the acclaimed director of In the City of Sylvia.
KAILI BLUES
KAILI BLUES
A stunning, dreamlike debut, a country doctor's search for an abandoned child takes him to a mysterious place where past, present and future become one.
CASA DE LAVA
CASA DE LAVA
In only his second feature, Portuguese filmmaker Pedro Costa (Horse Money) brilliantly reworked Jacques Tourneur's classic I Walked with a Zombie into a reflection on his country’s colonial legacy. Never before released in the U.S. and now beautifully restored.
RIGHT NOW WRONG THEN
RIGHT NOW WRONG THEN
A film director falls for a young painter - twice - in this acclaimed masterpiece from celebrated filmmaker Hong Sangsoo.
PARASITE
PARASITE
A film of brilliant, nocturnal beauty from renowned painter and artist Wilhem Sasnal, and his wife, Anka Sasnal.
FIREWORKS WEDNESDAY
FIREWORKS WEDNESDAY
A story of marital intrigue and betrayal set against the backdrop of the Persian New Year from the Academy Award winning director of A Separation.